Neil Young At Massey Hall Review: Benefit Tour Heats Up With Political Notes In Toronto

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NEIL YOUNG MASSEY HALL
Neil Young performs during the "Honour the Treaties" tour, a series benefit concerts being held to raise money for legal fight against the expansion of the Athabasca oilsands in northern Alberta and other similar projects, in Toronto, Sunday January 12, 2014. (CP/Mark Blinch) | CP

Neil Young's "Honor The Treaties" Canadian benefit trek kicked off Sunday night at Toronto's sold-out Massey Hall. As as he did earlier that day, Young didn't mince words when it came to the plight the Athabasca Chipewyan First Nation face regarding the ongoing oilsands development.

And Stephen Harper.

Near the homestretch of his set, Young -- who was a bit more tight-lipped from start to finish -- reworked the closing lyrics to “Pocahontas,” referring to how Young and Pocahontas would love to meet Harper in Ottawa for having broken the treaties. Young hit a nerve with the crowd, resulting in a raucous, standing ovation.

The only other pointed statements during the 20-song set came prior to “Someday.”

“It's nice to be back in Canada,” he said. “Watch out, some things are starting to rub off on us.”

The reference seemed to be regarding American politics and in particular, the former George W. Bush administration which he spoke about Sunday afternoon.

He also earned applause for referring to the hallowed venue and development plans to modernize the facility over the coming years.

“Don't let them change this place,” Young said as he sauntered around the stage that's hosted to some of his most iconic concerts.

“There's no need to ever change it.”

But to steal a few lines from his opening song “From Hank To Hendrix,” Young primarily shone with his old guitar (or pianos) by simply doing what he's done for over four decades.

Almost fully surrounded by acoustic guitars and with a few pianos nearby, the singer, 68, was in good humour throughout. Talking about how he acquired some of the instruments onstage, including the upright piano he never returned to the Hollywood Piano Rental, Young was in fine form during songs such as “Southern Man” and the toe-tapping “Are You Ready For The Country?”

Although there were a few shouts for requests, he obliged one fan for cover of Bert Jansch's “Needle Of Death,” a song he covered during his recent New York City stint. He also cracked a grin after earlier stating he only had one hit and a fan yelled “Play your hit!” And Young delivered with many singing along to "Heart of Gold".

Other highlights included a spine-tingling “Helpless” which would make k.d. lang jealous, a passionate rendition of “Ohio” and “A Man Needs A Maid” that had an almost hymnal flair to it.

Opening for Young was jazz singer Diana Krall who ditched the jazz standards for an extremely playful, off-the-cuff set. Stating how honorued she was to be playing with Young and also playing his piano, Krall opened with Bob Dylan's “Every Grain Of Sand” before touching on songs by Warren Zevon (“Hasten Down The Wind”), Chantal Kreviazuk (“Feels Like Home”) and Tom Waits (“Clap Hands.”)

Neil Young Massey Hall Setlist

From Hank To Hendrix
On The Way Home
Helpless
Love In Mind
Mellow My Mind
Are You Ready For The Country?
Someday
Changes (Phil Ochs)
Harvest
Old Man
A Man Needs A Maid
Ohio
Southern Man
Mr. Soul
Pocahontas
After The Gold Rush
Needle Of Death (Bert Jansch)
Heart Of Gold
Comes A Time
Long May You Run

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