Nash The Slash was a mainstay in Toronto live music clubs throughout the 1970s and 1980s. He was known internationally after a world tour with Gary Numan, Iggy Pop and opened up for The Who in Toronto to a crowd of 70,000 people. Before performing as Nash The Slash, Plewman played in the prog-rock band FM in the 1970s.
Two of his longtime friends and colleagues confirmed Plewman's passing to CBC, though details are very sparse.
Nash The Slash appeared on stage in a black tuxedo, top hat, dark sunglasses and wrapped in bandages. It would become his signature look. And since he appeared in bandages from 1979 onward, there were many mysteries about his identity.
He started the independent record label Cut-Throat Records, which he used to release his own records. Among his albums was Decomposing, which he claimed could be listened to at any speed, and Bedside Companion, which he said was the first record out of Toronto to use a drum machine.
His biggest hit was Dead Man's Curve, a cover of Jan And Dean song.
More recently, he played at Toronto's Pride Festival and toured up until 2012. In 1997 Cut-Throat released a CD compilation of Nash’s first two recordings entitled Blind Windows. In 1999 he released Thrash. In April 2001, Nash released his score to the silent film classic NOSFERATU.
Plewman retired in 2012, bemoaning file sharing online and encouraging artists to be more independent. "It's time to roll up the bandages," he wrote.
In the last few years, Plewman also became a vocal supporter of Toronto Mayor Rob Ford.
He will be remembered for his experimental ethos as well as his unusual stage presence.
"I refused to be slick and artificial," Plewman wrote of his own career.
There has not been word on how the musician died.
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