One of my childhoods was happy. The B&W movies projected on our small TV screen, more often than not, contradicted the drama I was living in my own home movie reels. But there were exceptions. In fact, the images of our television's B&W movies were very real to me. Sidney Poitier was one of those images, and thankfully, he made repeat appearances.
I'm a graphologist and a clinician; I tend to get to know a little bit about people by peering at their handwriting. Looking at Barbara Streisand's signature, we do find the theme of duality. Barbra's first name (representing the private self) is scripted in one style of writing whereas her last name (representing her professional self) is scripted in a completely different style of writing.
Composer Marvin Hamlisch, who died recently, may be the last of the Broadway-Hollywood composers with a Hassidic soul. Hamlisch wasn't Hassidic of course -- he grew up in a Reform Temple and didn't appear to be particularly observant. But at its core, Hamlisch's search for the perfect melody calls up the emotional and connective power of a good tune that the Hassidic tradition knows so much about.