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If, after hearing her speech, you dedicated more of your able body and mind to railing against those thirty words than you did to meaningfully advocating for the safety of particularly vulnerable people, your lack of empathy only highlights how right she was to contrast the cultural impact of "The Arts" and that of televised sports.
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In an age of digital media and streaming video, there is some evidence that film festivals generally may be in decline. U.K.-based film festival expert Stephen Follows, who has conducted extensive research on the subject, says that the number of festival worldwide peaked in 2009.
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In a VR experience, you are put into a virtual world as someone who physically consumes space. Depending on the content, you can go from an observer to an influencer, where consumption of the virtual space and the content is totally up to you. You can choose what to observe, and follow each movement in multiple angles at your own speed -- you shape your own experience and consume the space and time differently than any other viewer.
Barco Escape, in partnership with Cineplex Entertainment, is hoping to offer viewers a more dynamic movie experience in Canada with panoramic screens. I got the scoop on this new technology and offer thoughts on whether you should try seeing the latest blockbuster flicks with it yourself.
TORONTO -- Cineplex Entertainment is launching a special screening program for people with autism spectrum disorder and their families. The Canadian movie theatre company says its Sensory Friendly Scr...
TORONTO - Cineplex Inc. (TSX:CGX) says numerous underperforming Hollywood summer movies were the main reason its profit fell 19 per cent in the second quarter.The Toronto-based theatre chain says earn...
With our media landscape filled with historical wartime accounts of various heroes and heroines and their respective call of duties, I honestly thought I heard it all. Then Michael Wolfe entered the p...
Nothing quite like a good midnight movie. Savvy, cinephilic audiences meet provocative, culty film fare at a time when, as Dick Miller observes in Martin Scorsese's After Hours, "different rules apply." The programming for VIFF's new late-night series, Altered States -- handled by longtime Vancouver journalist and VIFF staffer Curtis Woloschuk -- certainly reflects this observation. And what's striking about the series as a whole, is that the movies featured have much of the sophistication usually spotlighted by VIFF -- they're just cranked up a notch.
This film, Denis Villeneuve's first in English, demonstrates a stirring talent on the rise. The tension, the anxiety, and even the damp cool of the late November air are delivered to us through a heap of well-chosen images, daring shot construction, and carefully-managed set design.
A quick-paced, hard-charging adrenaline ride of a movie, Gravity takes us into the heart of an infinite darkness and then leads us home. As exciting as it is technically virtuosic, it invites us to reconsider the possibilities of the "popcorn movie." Thank god for that.
Despite the utter unlikelihood of the plotting, everything about Enough Said feels lived in and true. Sparkling, light and yet awash in thoughtful insight into the particular challenges of new love in middle age, this was easily my favourite comedy of the festival so far.
Like some psychedelic mash-up of Eyes Wide Shut, The Trial and Naked Lunch, R100 is by turns disgusting, hilarious, and tedious. For the most part the audience must surrender to the demented flow of the thing in order to have any fun.
Kelly Reichardt has made her career on the fringes of the Hollywood system, making complex, austere films on tiny budgets, and building up a reputation for a singular vision. But, with Night Moves, a generic take on the moral questions associated with terrorism, Reichardt's vision feels blinkered.
Today my phone buzzed with the story of a film blogger calling 911 because he was bothered by someone using their cellphone during a screening. It's kind of a funny story to most, I suppose -- one that illustrates just how wrapped up people can get in this odd world. Except I didn't find it funny. At all. On any level. As a guy who spent every day of my working life for eight years trying to keep up with the volume of calls pouring in to 911 -- legitimate calls, each of which carried with it the weight of someone possibly dying -- I find Billington's action offensive.