It's a nice theory to embrace for those outside of the U.S. as it reinforces a vision of Americans as insular and frightened of the world when other nations' TV schedules are often a little more pluralistic. It also means that when non-American productions fail in the U.S. market it can be blamed on American xenophobia, as opposed to any weakness in the production itself.
There was a time when you could declare a Canadian TV season if two series were airing around the same time. And a "hit" season if people had actually heard of one of them. And then along comes Played -- CTV's crime-drama about undercover cops that premieres Thursday, Oct. 3rd. Here's the best part: it's actually quite good.
Orphan Black is about clones and conspiracies. Part of the series' appeal is doubtless its gimmick. The twinning process -- wherein an actor plays opposite himself -- has been around for decades, but Orphan Black does it better than almost anything before. Even when the clones hand each other glasses you forget special effects are involved!
At heart, every story has probably been told, so it's in the details it's kept fresh. When Canadian filmmakers refuse to set their productions in Canada, they are basically announcing: "We have no intention of doing anything fresh with this material." If the creators aren't willing to fight for something as rudimentary as the setting, can we really expect them to fight for other things? Is the fact that so many of these filmmakers are unwilling to set their stories explicitly in Canada part of the reason why there are so few Canadian series and movies fronted by non-white actors? 'Cause that might be a fight with executives, too.