What's most distinctive and troubling to the graphologist is the way Marilyn contorted certain letter formations. What of that ugly claw-like loop that she made when forming a lower zone for the y in her name? And how about that aggressive-looking final stroke on the M that stabs down, penetrating the baseline of the writing and effectively creating a very crude and ugly image of coitus.
The first letter of his surname has been distorted and made into an overarching awning which protects the surname, representing the public self or the professional self. In fact, some of the letters of the last name are tucked away, hidden beneath that dominant arcade, as if tucked away from public view. What do we know about Bill Cosby's private life?
Recently, Ellen DeGeneres gave a $10,000 gift to a waitress who treated two National Guard soldiers to their lunch. This act was yet another example of Ellen's generosity, standing alongside the dozens of causes to which she lends her name. Speaking of which, psychological researchers might find a clue to her generosity in her name.
One premise of handwriting analysis is that people express their primary orientation in life, be it to the spiritual or the material, expressing an affinity with the vertical or the horizontal, every time they pick up a pen. Some writers strongly emphasize the width of handwriting. These are the people who live off their senses and have gifts in realms where the senses reign strong.
I'm a graphologist and a clinician; I tend to get to know a little bit about people by peering at their handwriting. Looking at Barbara Streisand's signature, we do find the theme of duality. Barbra's first name (representing the private self) is scripted in one style of writing whereas her last name (representing her professional self) is scripted in a completely different style of writing.
Note how she loyally reproduces the copybook script she learned in school and, in so doing, shows us that, first and foremost, she values fitting in. Such writers, amiable and good-natured, easily lapse into people-pleasing. And they often harbor secret self-negating habits designed to help them keep insecurities at bay.
In the wake of reports that Toronto's mayor has been distracted at the wheel, only one question remains: why won't Rob Ford use a driver? One look at his signature provides the only answer that hasn't been put forward, an answer provided not by his aides who are rebuffed when they offer to take the wheel, and not by puzzled journalists who conjecture about the issue.