The digital revolution has brought many wonderful things. Canadians can plug into international events from the comfort of their own home or office, or from just about anywhere thanks to mobile devices. And the world, we hope, can do the same to find out about the great north -- Canada. The challenge, it seems, is in making sure there's Canadian content for the world to find and enjoy. Finding ways to balance the digital era with supporting local programming is key if Canada is going to continue to foster local democracy in communities.
When Apple Music, Spotify and Tidal launched, they were hailed as digital prophets that promised new ways to monetize the experience. Thus far, their solutions have fallen short of fireworks. Just slightly over a quarter of Spotify's 75 million active users actually pay for the service. And, as The Guardian UK reports, despite pulling in €1.08 bn in revenue, its losses were €162.3m. So why are all these promising platforms sinking?
This first month in Córdoba has felt a lot like Frosh Week at university; there's always a new friend to get to know in my family/tribe/tramily of remote workers, and between WhatsApp and Slack, I can always find someone to grab food or drinks with if that's what I'm feeling. It would be a nightmare scenario for anyone with FOMO, because you quite literally cannot do everything at once.
The prospect of considering expanded blocking for copyright purposes validates the fears of civil liberties groups that the introduction of blocking requirements invariably expands to cover a wider net of content. Canadian copyright was already on track for a boisterous debate in the coming years with changes such as copyright term extension mandated by the Trans Pacific Partnership and a review of the law scheduled for 2017. If government officials envision adding VPN usage, access to U.S. Netflix and website blocking to the list of issues, copyright could emerge as one of the government's most difficult and controversial issues.