A middle-aged man arrives at a seaside cottage. He closes the doors, hangs heavy black curtains over all of the windows, and then opens a duffle bag to reveal a little brown mutt. Soon thereafter, we learn that in his (unnamed) Islamic Republic, dogs have been banned. This is just the start of a thrilling, complex journey directed by infamous Iranian filmmaker, Jafar Panahi. It may be the biggest film I saw at TIFF.
So much for all the buzz around The Fifth Estate, Bill Condon's frustratingly flat dramatization of the formation, triumphs, and sundering of WikiLeaks, the anarchist information-sharing website. Relying on tight close-ups and lengthy speeches, there is a distinctly made-for-TV feel to the proceedings which even great performances couldn't have overcome. But sadly, the biggest misstep falls on the shoulders of Benedict Cumberbatch.
Francois Ozon is interested in sex, and Young and Beautiful doesn't let him stray far from his favourite subject. However, his latest film -- a year in the life of a teenage prostitute -- is empty where it should be haunting, and baffling where it should be enigmatic, leading to a confusing misfire from an otherwise thoughtful director.