Star Wars: The Force Awakens might be taking us to a galaxy, far, far away, but way, way before even the first Star Wars did so, another science-fiction film took us much, much farther. Fifty years ago this week, six astronauts posed on the moon for a selfie-ish photograph next to a newly uncovered three million-year old alien artifact.
I recently saw a Canadian-made movie called Debug. It's kind of a "meh" movie (as I once saw an online reviewer define something not good enough to praise, but not bad enough to disparage). If you're predisposed toward the sub-genre, you'll probably find it a passable waste of 90 minutes. And if you're more ambivalent, you probably won't. And therein lies today's rub.
Given predictable increases in population and demand, for meat production to take place responsibly in the future, we will have to significantly diversify our eating habits, and with them, our production habits. In vitro meat is one alternative. We don't know enough about it yet. But we know we can make it. It is possible.
I haven't seen any surveys that say definitively how many five to twelve year old girls are frequenting comic book stores and watching Star Trek. I'm sure that the number, whatever it is, is higher than the numbers were in the 1970s but I'm willing to bet that it still disproportionately less than the number of boys.
Women have been decidedly ignored when it comes to time travelling. As I was thinking about this I came across Anna Smith's recent article on this very topic in The Guardian. Time travelling women are indeed rare, especially in sci-fi film. Smith notes in particular that Rachel McAdams has had three roles in time travelling movies, only to remain firmly rooted in the her own timeline in each one.
If you are reading this article, you are surely one of the One Percent™. After all, technology only accrues to the world's wealthiest, right? If the message of Elysium were true, then yes. But it's not. As anyone who has given this more than a moment's thought realizes, technology isn't something simply the wealthy enjoy.
After walking the floor at Montreal Comic-Con for a few hours on Saturday, one thing became abundantly clear: the majority of the commercial activity that was taking place at this physical event cannot be duplicated or replicated in a digital format. By cultivating true fans and giving them unique opportunities to connect and share, they're not only keeping alive a traditional media channel (or two), but they're inventing new and fascinating ways to extend their characters and build interest.