I enjoyed watching Ken Burns' The Roosevelts: An Intimate History last week, keeping in mind that these PBS documentary series are usually a heavy bit of American myth-making. Still, there are a few things just too glaring to hide or treat with discretion in 2014, though Burns arrogantly thinks he can.
So I'm back in London now, jet lagged but ready for some good stand up gigs coming my way. And as you have guessed, I'm spending my evenings watching Forensic files on YouTube. If you have a morbid curiosity for murder and odd, moustached people from Texas, give it a whirl.
For the showstopper, or should I say, choux-stopper (totally copyrighting that pun), our brave, baking adventurers must make two dozen éclairs; twelve of one flavour and twelve of another. Kate, Luis and Chetna all decide to flavour their choux pastry, with Kate adding Greek basil to the dough that will form the base to her lemon meringue éclairs.
There was always talk that the fibbies looked the other way when it came to Bulger because he was an informant. But was he really? Based on what I saw in this documentary, the answer was no... or at least more no than yes.
Now in their fifth year, the International Screenwriters' Lectures, hosted jointly by BAFTA and the BFI, have cemented their worldwide reputation as the most prestigious forum for celebrating the peculiar genius of screenwriting.
Sooner or later, it had to happen. Nestled cozily in my inbox between an email from a grumpy opposing attorney and a bar association solicitation, there it was: NOW CASTING DIVORCED COUPLES FOR NEW NBC SERIES. Of course, I clicked.