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A few years ago I decided to embark on a backpacking trip across Europe for two months. Towards the end of my travels, I found myself at the Sisteen Chapel in Rome, Italy. As I was standing there, enchanted by this insanely crazy masterpiece, I felt a soft whisper perk the tiny hairs on the back of my neck.
He was on his way to New York Fashion Week.
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The loud styling makes the film instantly iconic, especially in casting style icon Waris Ahluwahlia as Manny, the trigger-happy joker of the gang and the one daring enough to pull off neon pink and bright turquoise suits. Mehta wanted to do more than present their brash styling; she wanted to shatter stereotypes of Sikh characters who often play cabbies or doctors on screen.
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Delivering a film that's actually for the South Asian community and diaspora is easier said than done with Beeba Boys, which could have been promising but fails on many levels.
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This is one stylish cast.
I always respond with the line that people are like dogs -- we are all the same species but we have different fur colours and no colour is actually better than the other: it just is. And since the two eldest are animal obsessed, this all makes sense to them. Then sometime last summer my seven-year-old son (who always identifies himself as brown like daddy) started telling me how he wanted "yellow" hair because it was better. Maybe it sounds overdramatic but I actually wanted to cry -- I just couldn't bear the idea that despite all the changes, a little brown boy or girl would automatically think that it was better to be the blonde, blue-eyed guy (or girl).