Black History Month is not just for black people. In an ideal world, there would be no need for a dedicated month to mark black history -- and the significant contributions that blacks have made around the world -- because it would be on par and as well-known as History, i.e. the mainstream history that many of us learned in high school. I don't know how history was taught when you were in school, but in my school our teachers skipped over the chapter (yes, only a single chapter) on blacks in Canada and North America more generally.
Sure, I understand that there's much to cram into school curricula, but when we skip over or elide significant aspects of our country's past, we demonstrate what -or who - is important or unimportant in our society. These omissions -- which affect, of course, not only blacks, but also Asians, native peoples, and various other ethnic groups (women too lest we forget) -- skew our view of the world and lead to erroneous assumptions. If a child, or an adult for that matter, only learns about the contributions of those of European descent, it's unlikely that they will consider that people of other races or ethnicities also played a significant role in building our country. How can you be expected to know and understand the full spectrum of history if you've never been given non-traditional examples? To put it another way, if you never saw the colour blue in your lifetime would you know that it even existed?
I don't see Black History Month as revisionist in any way; the aim isn't to rewrite history to artificially raise the ranking of black contributions; the aim is to bring to light or to the surface the people and events that were forgotten or that were purposefully buried in the annals of time. Also, Black History Month isn't designed to elevate black culture over white culture. One isn't better than the other. In fact, neither history or culture is separate or distinct because it's a shared history. The concurrent stories on both sides of the coin are what make our shared past. Black History month isn't just my month, or your month, or the month of a friend of yours. It's ours.
After winning not one, but two Grammy Awards last year, there’s nowhere for Melanie Fiona to go but up. The 29-year old names Whitney Houston, Sade and Amy Winehouse as being major influences and her ability to incorporate elements of soca and reggae in her R&B sound is a key distinguishing factor to her current success. After releasing the modestly successful <em>MF Life</em> in 2012 — which was much bigger down south than here in Canada — Fiona is up for yet another Grammy award next week.
What more can be said about the enigmatic and innovative one better known as The Weeknd? Coming off a successful year of touring and underground promotion, the singer-songwriter’s penchant for progressive and ethereal mood music has served to redefine post-millennial R&B. Since the successful release of his <em>House Of Balloons</em>-led mixtape trilogy in 2011 (subsequently mastered and rereleased on a major label last year as <em>Trilogy</em>) it’s safe to say that Abel Tesfaye is definitely on a high. And with a rumoured new full-length album on the way, many are waiting on The Weeknd to see what’s next.
Edmonton’s Rollie Pemberton has been making noise ever since he launched the full-length Cadence Weapon album<em> Breaking Kayfabe</em> back in 2005. Named Edmonton’s poet laureate in 2009, the Polaris Music Prize-nominated artist has been widely hailed as an innovator when it comes to hip-hop. Now based in Montreal, Pemberton’s penchant for abstract lyricism and an unorthodox rap style marks him as a uniquely creative force in the Canadian hip-hop scene.
The band known as Cold Specks fronted by the woman known as Al Spx burst out of virtually nowhere with the critically acclaimed album<em> I Predict A Graceful Expulsion</em> in 2012. With a gospel-flavoured and acoustically-driven sound often referred to as “doom soul,” the folk artist’s mastery of her craft will only continue to grow. Now based in the U.K., where she first broke out, let’s see if Cold Specks can deliver the goods again with a strong sophomore outing this year.
Ah, Drake. Love him or hate him, Aubrey Drake Graham is arguably the biggest name to come out of Canada in years. Having sold more than five million albums worldwide, Drake’s presence and introspective style has irrevocably transformed the sound of mainstream hip-hop. And he shows no signs of stopping now: his October’s Very Own crew runs deep with upcoming new artists and projects (including a loose affiliation with The Weeknd), his songwriting for artists such as Alicia Keys and Jamie Foxx will likely continue to flourish, and a new studio album is virtually confirmed to be in the works. With even a tossed-off song like "The Motto" containing era-defining lines like "YOLO," the sky’s the limit for Drizzy.
Edmonton born R&B/Pop diva Kreesha Turner — she of the trademark huge afro — has been steadily making noise on the international music front. Building off a huge hit with 2011 single "I Could Stay," the highly underrated young recording artist of Canadian/Jamaican heritage is reportedly working on new music for this coming year.
When the one and only Raekwon of the Wu Tang Clan decided to work with Mississauga, Ontario's JD Era, the talented rapper and mixtape king took the ball and ran with it. Born Joseph Dako, the rapper stands tall as the first signed artist of Raekwon’s Toronto-based label IceH2O Records and the future is definitely looking bright. With deep underground cred and refined lyrical skills, JD Era is poised for a solid 2013 rap campaign.
A relative newcomer to the scene, 17-year-old Raz Fresco represents the new guard in the Canadian hip-hop landscape. Despite his young age, the Mississauga, Ont.-based producer/MC has amassed a huge social media following and already has impressive producer credits with underground names such as Big Sean and Mac Miller under his belt.
After first catching ears with a cool reworking of Drake's "Marvin’s Room," Toronto singer and songwriter Rochelle Jordan has been on a tear when it comes to releasing hot music. Her latest mixtape outing,<em> Pressure</em>, leans heavily on a post- Aaliyah electro-aesthetic and hipster PBR&B sound. Currently on tour with Jessie Ware, Jordan’s career should see an added boost in the coming months.
Since bursting on the underground rap scene via his production on Detroit-based hip-hop duo Frank & Dank’s "Do What I Gotta Do" in 2006, Toronto's Rich Kidd has been a hip-hop force to be reckoned with in Canada. Listed as one of "Toronto’s Top 5 Independent MCs" by the Toronto Star, the independent producer and rapper has crafted beats for a veritable who’s who in the scene — Saukrates, Nelly Furtado, Kardinal Offishall — and his popular "We On Some Rich Kidd Shit" series of mixtapes have been a constant and welcome treat for hip-hop heads. Rich Kidd is typically in beast mode when it comes to producing and rapping — this year should be no different.
Hailing from London, Ontario, rapper Shad (real name Shadrach Kabango) has been quietly establishing himself as perhaps one of the most underrated emcees in the country. A constant fixture on the touring scene, Shad's witty lyricism, self-deprecating humour and extraordinary handle of his hip-hop craft mark him as an artist poised to take things to the proverbial next level. After besting Drake (!) for a Juno Award for his last album <em>TSOL</em>, Shad is hard at work on a follow-up tentatively slated for release this year.
The uber-talented Slakah The Beatchild is for certain one to watch on the music scene. The Sarnia, Ont.-raised producer, typically known for his hip-hop/soul production, has done production for Drake along with releasing the solid psychedelic rock album <em>The Other Side Of Tomorrow</em> which helped to both broaden his fanbase and national exposure. Easily the type of artist who many will appreciate more when he inevitable leaves for south of the border, Canadian music lovers would do best to enjoy him — and his funky style reminiscent of Raphael Saadiq — while they can.
Simply put, Toronto’s Tanika Charles is perhaps the country's best kept secrets when it comes to R&B. Known as "Mz. Chawlz," the Toronto-born, Edmonton-raised soul singer is a veritable vocal powerhouse with a distinctive old school bluesy vibe reminiscent of Aretha Franklin. Along with her band The Wonderfuls, Charles is preparing to take 2013 by storm with a tour and a potential new album on the way.
Formerly based in Toronto and now residing in South Africa, songstress Zaki Ibrahim is all about the smooth R&B/soul vibes. Of Canadian/South African heritage, the eclectic and socially conscious performer has creating an impressive buzz for a few years now. Her import release <em>Every Opposite</em> — with its distinctive electro-soul and R&B sound — puts her in firmly in the "one to watch" category. Having performed with artists as diverse as The Roots, Bedouin Soundclash and Erykah Badu, the sensuous singer’s career should see a well-deserved rise in stature in 2013.
One half of EDM darlings TNGHT, Montreal’s Lunice Fermin Pierre II is known for his beat wizardry and innate ability to move a live crowd. With his ability to meld experimental dance and trap/hip-hop production into an exciting new sound, Lunice and TNGHT are forging a futuristic musical path in both the underground and mainstream scenes.
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