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Bernard Cuffling

Allan Morgan's portrayal is tentative. His Prospero seems shy. Morgan seems to cower beneath the role, never fully inhabiting it. His voice lacks confidence. This is a meek and gentle magician, a follower. It's all wrong. Morgan hasn't the stature for the role. A good character actor, he fails to command the stage as arguably Shakespeare's most powerful character.
Scott Bellis' Bottom is comic confection. This is a mighty performance. The audience enjoys a frisson of excitement each time Bellis steps into the light. The performance is a careful, studied piece of work that is truly original and may leave you gasping for breath. The rest of the play pales beside him.