The TIFF film challenges the stigma of vulnerability in Asian households.
New film series shows friendship centres across Ontario are at the heart of urban Indigenous communities.
This collection of stereotype-defiers, trailblazers, witty geniuses and bad-ass storytellers all have made a lasting mark on the Canadian media landscape.
Often Canadians who pursue careers in entertainment are cautioned that there's only so far you can go in Canada. Not so.
The representation problem on Canadian screens is severe, not just in terms of ethnic diversity but also gender. Why are we still slow on the take, emulating what Hollywood does without considering what we should be doing better? Why are we still waiting for someone else to fix our problem?
How will Donald Trump's America affect Canadian film and TV shows? OK -- that probably sounds like the weirdest angle on
I'm going to bang on some more about the recent controversy about the CRTC (the Canadian TV/Radio regulatory body) and its proposal to loosen rules regarding importing talent to work on Canadian productions. I'm re-visiting it because folks in Canadian film/TV are angry and it's worth drawing more of the audience's attention to the matter.
The rules weren't put in place to keep out imported talent -- they were put in place because no one trusted producers to give domestic talent a fair shake. (And history has shown this isn't just paranoia). So why does the CRTC want to change this?
Storytellers often draw upon what they know. You could program an entire cable network with nothing but movies and TV shows self-reflectively set within the world of Hollywood. Yet the Canadian film and TV industry has rarely been explored in Canadian films or TV.
Is the problem deeper than faceless executives supposedly redacting Canadiansms from scripts? Maybe too many of the writers and actors and directors themselves don't know any better. And they don't care.