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How American Idol Killed the Music Star

Posted: 01/25/2013 12:54 pm

"Natural Selection -- The process whereby organisms better adapted to their environment tend to survive and produce more offspring. First expounded by Charles Darwin and now believed to be the main process that brings about evolution." -- New Oxford American Dictionary

Since the late 90s, reality shows have taken over almost all of today's television programming. At the helm of this movement was, and still is, the mammoth singing competition called American Idol. Franchised all over the world, it has made its winners, judges and even a few losing contestants worldwide stars. The lure of the show is simple and timeless -- watching a frog turn into a prince. Everyone loves a rags-to-riches story, hell, it's the American dream! Who doesn't want to watch that?

Me, that's who.

There's something to be said for "paying your dues," the only problem is it isn't actually said very often anymore. Even hearing the term roll off my own tongue sounds antiquated. No one uses the term because there aren't any dues to pay. Dues, for anybody interested, used to come in the form of slogging it in nightclubs to little acclaim for virtually pennies on the off chance that something would spark. It was romantic and dare I say even noble. Today, what has replaced these "dues" are endless line-ups made up of people waiting for a handout and willing to forgo their dignity for 30 seconds of fame consisting of being laughed at for attempting to sing.

What this new star process yields are anxious, malleable, vacant performers who ape correctly, take instructions obediently and, outside of pleasing the masses, don't have a shred of genuine character. That's not to say they don't have it within them to maybe one day become interesting artists, but that rarely happens given the accelerated nature of network television.

It's this immediacy within the petri dish of the television studio that produces hobbling gimp stars who, within a short period of time, will begin to exhibit injurious recessive genes that come with fame when mixed with inherent naivety and newfound ego. Inevitably, their fate will most likely consist of being eaten and spat back out by the general public, much like one does after eating a half-cooked meat.

What's lost on everybody is that the chase is really better than the catch. It's this gestation period that's fascinating. Taking years to hone your craft and become great just doesn't make for good television. Trying to figure out how to write a proper song took me years! And some would suggest I still don't know how (as a large contingent would most likely concur). Trying to learn how to keep my voice intact over a six to seven week tour during the cold months of the year took me eight years to figure out! Yes, I'm a slow learner, but it's these bitter pills of trial and error in every facet of music that make the journey. There is no rulebook, coach or compassionate audience to lean on, but that's what makes you stronger and better over time. The true musicians and performers who really persevere after years of slogging it out eventually gain skills in all fields (business, street smarts, songwriting, performing, playing, public relations etc.) that far outweigh their novice reality show counterparts and this shows in their recorded output.

Of course these singing competitions don't represent the whole music universe, but it's the part that is most celebrated, most lauded over and most known. The other side, the one I'm familiar with, comes with few perks and relative obscurity. The teeming masses sucking on the American Idol teet also usually consume the worse pop culture and somehow that doesn't bother me at all. They stay on their side of the fence, I stay on mine, and never the two shall meet.

Being the fittest to survive in the jungle of the music business takes someone made of strong stuff. Being a canker-ridden, bottom-feeding sodomite of a beast, the music business can be as alluring as a tasty guitar riff or as malodorous as a cheesy melodramatic ballad. It's easy to get sucked in by its glitz, but the real black comedy begins when all the hoopla has faded and the last studio audience member is shuffled out the building. It's precisely at this moment when these newly crowned reality show princes or princesses slowly realize they've officially become a product. Their souls have been sold on a reality television show. I'll take the long, slow road over that any day.

Loading Slideshow...
  • Randy Jackson

    <strong>Name: </strong>Randy Jackson <strong>Seasons:</strong> 1-12 <strong>Known for:</strong> Coining the phrases "Yo dawg" and "It's a little pitchy."

  • Paula Abdul

    <strong>Name:</strong>Paula Abdul <strong>Seasons:</strong> 1-8 <strong>Known for:</strong> Crying while judging.

  • Simon Cowell

    <strong>Name:</strong> Simon Cowell <strong>Seasons:</strong> 1-9 <strong>Known for:</strong> His brutal judging tactics.

  • Kara DioGuardi

    <strong>Name: </strong>Kara DioGuardi <strong>Seasons:</strong> 8-9 <strong>Known for:</strong> Introducing the world to "neckitude."

  • Ellen DeGeneres

    <strong>Name:</strong> Ellen DeGeneres <strong>Season:</strong> 9 <strong>Known for:</strong> Walking away from her five-year contract after only one season.

  • Jennifer Lopez

    <strong>Name: </strong>Jennifer Lopez <strong>Seasons:</strong> 10-11 <strong>Known for:</strong> Stealing the spotlight from the contestants.

  • Steven Tyler

    <strong>Name:</strong> Steven Tyler <strong>Seasons:</strong> 10-11 <strong>Known for:</strong> Criticizing and hitting on contestants with confidence.

  • Nicki Minaj

    <strong>Name:</strong> Nicki Minaj <strong>Seasons:</strong> 12-? <strong>Trademark:</strong> Feuding with Mariah Carey whenever possible.

  • Keith Urban

    <strong>Name:</strong> Keith Urban <strong>Seasons:</strong> 12-? <strong>Known for:</strong> Making country references whenever possible.

  • Mariah Carey

    <strong>Name:</strong> Mariah Carey <strong>Seasons:</strong> 12-? <strong>Known for: </strong> Trying to compete with Nicki Minaj's diva lifestyle.

 

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07:56 PM on 01/28/2013
The internet killed creativity in music and much of the creativity in movies as well. Companies are simply not willing to invest money into talent when the Justin Biebers of the world build their own fan base off the internet or a popular TV show. Movies are even worse with them relying entirely on guaranteed stars, remakes, super hero movies and pixar style animated films. There are no more longer term artists or cult classics because nobody is buying movies any more. So if you aren't going to make big money and quickly nobody wants to give you a chance.
06:42 PM on 01/28/2013
The music industry has been fabricating "Music Stars" since long before American Idol.
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Peacefrogg
04:31 PM on 01/28/2013
I can honestly say i have never purchased any music that has come out from American Idol, the tall greasy long haired rock star with all that angst just isn't delivering it up any more so now im back to listening to Alice in Chains.
04:07 PM on 01/28/2013
For me there is room for them all.

I like some ex idols, some social media performers and some performers who worked for years. I mean a breaks a break whatever way you look at it, don't begrudge it.

You might get a pass for awhile being so so but if you are good, I mean really good, your star will shine forever, whatever path you came from.

What I don't get is this terrible hate, just because someone doesn't tickle your fancy.
02:30 PM on 01/28/2013
I think a case in point with the above is season 9's Crystal Bowersox (sp?) - the subtle awkwardness of the panel in dealing with an artist who had independently honed her craft, and in return her palpable distaste for the smarmy process the found her self embroiled in. She had in fact made up her mind to quit when the greaseball, talking-head Seacrest gave her a Baldwin-esque Glengarry / Glen Ross type speach about the money and fame she was walking away from. In the end she was punished for her lack of 'commitment', and the fact she didn't 'want it bad enough'. I'd say this is one example of that being true, with the "it" being the deed and title to her soul and self-respect.
01:26 PM on 01/28/2013
It's no longer about the singers, it's about the judges.
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me again
I'm not wrong....
12:09 PM on 01/27/2013
We are in a time of musical monotony. Very little of the popular music we hear today is memorable. The last memorable period of popular music was the 1980's. Technology has changed all that, a singer today does not have to have real staying power, they are here for the moment. Looks count more than singing, staged aerobics, we might as well call a spade a spade, has taken over performances. Techno music is pure repetitive garbage, originally designed to accompany models down the runway, today it is mainstream and we are the poorer for it.
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MaxKramer
02:09 PM on 01/28/2013
It's interesting how much 80s music is still played these days. That decade had so many great singers and groups and it doesn't seem like those exist anymore. There was U2, Fleetwood Mac, the Police, Billy Idol, the Clash, Michael Jackson, Duran Duran, Pat Benatar, Phil Collins, the Eurythmics, Human League, Madonna....
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me again
I'm not wrong....
08:59 AM on 01/29/2013
Exactly, it was the last bastion of creativity in popular music. The record labels took over and their marketing gurus demanded niche music for age groups. Hence we have Justin Bieber, boy bands, gospel singers performing with aerobics, new age music, etc. The most revealing is how many pop style singers and new age musicians they are currently trying to fit into the classical category.
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Verse Doctor
The All-Being - Master of Time, Space & Dimension
06:48 PM on 01/26/2013
Great analysis. Case in point: Demi Lovato 'judging' on X Factor - Gimme a break! She never even had a pop hit as far as I can remember. The key word to remember for this contingent of the music business is the word business.

You have the same perspective that an actor has of a reality star. A real actor sleep in their cars and take time to hone their craft over years waiting for a break then along comes honey boo-boo. The rest is history. The difference is your body of work over time. The brightest stars don't burn near as long.
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05:24 PM on 01/26/2013
I'd certainly agree these cell-phone voted TV shows tend to elect clones of the top ten current stars in a narrow band of pop genres. But the industry and stardom are in fact bigger than these shows and the "pipeline" of aspiring musicians is not captured by the TV show competitions. The lifespan of Idol overlaps stardom of Gaga, Amy Winehouse, Canada's Feist, and others who wouldn't get past early rounds of the TV selection.
11:15 AM on 01/26/2013
Perfect, man. Perfect.
08:25 AM on 01/26/2013
This was mostly preaching to the choir for me, but what made my ears prick up was when you wrote that it took you years to learn how to write a song properly, and years to learn how to preserve your voice on tour. I would love to read your take on those two subjects. Each one would be good for an entire book, but I would be satisfied with just a large overview and an example or two, say enough for one blog post on each of the two topics. Feel free to be specific in ways that only fellow musicians would understand.
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mchlmack
Ban Public Whistling
10:55 PM on 01/25/2013
Thanks for reminding me why I've never tuned in. Lining up for fame is the new "payin your dues".
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Trashcan Man
Luck does not reduce risk even when it seems to.
09:44 PM on 01/25/2013
The performers on TV aren't entertainers anymore. They are "content providers" brought to the viewing public by marketing agencies.
07:16 PM on 01/25/2013
great article. as time goes on, i wonder more and more which will happen first: the pop music industry will inevitably implode on itself when it becomes clear to even the most vapid music fans that there is no substance to be found in anything that gets pumped out week after week, and something new and exciting is forced into existence. OR, something fresh and dangerous and meaningful starts a new "movement" or whatever you'd wanna call it, much in the same way as the last movement that truly meant anything (obviously, punk rock). clearly, it's not likely that anything would be that balls-out ever again (at least in the mainstream), but something is better than nothing.

in the meantime, i'm perfectly happy in the grimy underground, where real rock n roll ferments.
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AcunningDisguise
magnus gigas caput
07:08 PM on 01/25/2013
Correct on all counts which is why I ditched TV.