Academy of Canadian Cinema & Television
A Canadian culture that can't speak to the many variations of Canadianness through its own storytelling really doesn't seem like much of a Canada at all.
This collection of stereotype-defiers, trailblazers, witty geniuses and bad-ass storytellers all have made a lasting mark on the Canadian media landscape.
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Plenty of your favourite kids' shows are actually Canadian. Find out which ones in the video above!
The representation problem on Canadian screens is severe, not just in terms of ethnic diversity but also gender. Why are we still slow on the take, emulating what Hollywood does without considering what we should be doing better? Why are we still waiting for someone else to fix our problem?
Any time someone pontificates about Canada, they're going to get it in the neck - from regionalists who get red faced when any region but their own gets a moment in the spotlight, from people who simply feel their agenda isn't being represented. But those decrying the series' omissions are missing its intent.
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Two Canadian dramas are aiming to bring a bit of cable edge to mainstream networks. "Pure" is a crime-drama whose premise might sound like a joke: The Mennonite Mob! While "Mary Kills People" is about a doctor who has an illegal side-line helping people commit suicide.
How will Donald Trump's America affect Canadian film and TV shows? OK -- that probably sounds like the weirdest angle on the recent U.S. election you can imagine. Bear with me, though, 'cause I'm act...
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"Janet was like no other person I've ever met.''
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Kim's Convenience may be breaking ground with its Korean-Canadian focus. But arguably it can still fall into the trap of putting people into "us" and "them" boxes. And, sadly, that too shows how truly universal it is.
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"We're not necessarily trying to go with the mainstream.''
I'm going to bang on some more about the recent controversy about the CRTC (the Canadian TV/Radio regulatory body) and its proposal to loosen rules regarding importing talent to work on Canadian productions. I'm re-visiting it because folks in Canadian film/TV are angry and it's worth drawing more of the audience's attention to the matter.
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The rules weren't put in place to keep out imported talent -- they were put in place because no one trusted producers to give domestic talent a fair shake. (And history has shown this isn't just paranoia). So why does the CRTC want to change this?
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Storytellers often draw upon what they know. You could program an entire cable network with nothing but movies and TV shows self-reflectively set within the world of Hollywood. Yet the Canadian film and TV industry has rarely been explored in Canadian films or TV.
Nielsen, the gold standard in TV ratings, has just made an important discovery about smartphones: All those people walking around staring at their phones are not watching video. At least, not very often or for very long. They aren't streaming much audio either. So if mobile streaming isn't killing TV -- what is?