Daniel Roebuck's tenderly nuanced performance as his wife' primary caregiver is such a perfectly balanced blend of heartache and hopeful longing, weariness and worry, unconditional love and utter loneliness that his character comes across so authentically, you forget you're watching a movie rather than visiting with a fellow family member impacted by Alzheimer's or dementia.
With "Future Day" a week away, there have been many recent articles on "What Did Back To The Future Get Right?" Rather than bore you with a typical comparison, I thought I'd take a different approach, and highlight how both the BTTF trilogy and Demolition Man made technological predictions of a more inclusive and accessible world.
Growing up in the hip-hop culture, I've battled with loving the music and hating some of the speech at the same time. Hip-hop heads who find themselves staring down the barrel of this conundrum, typically choose to embrace hip-hop while being extremely cognizant of its problematic nature. We're forced to view the music by its totality, and that's the mature way to not only view N.W.A. and Dr. Dre, but most human beings.
I am hard of hearing and rely on lipreading. Video can be difficult, for a variety of reasons, including camera angle, voice-overs, sound effects, accents, and animation. Every time captioning fails at the movies, I am reminded of my inability to participate in activities many Canadians take for granted. I feel belittled, squashed, unimportant.
The Book of Negroes is reminding me how much my ancestors endured just to survive. It makes me feel obligated to live out my full potential so their pain and struggle isn't in vain. On the ratings front, it will be interesting to see how The Book of Negroes compares to BET's other primetime specials. This is important, because we want networks to continue telling these stories.
over the years and through a lot of bad encounters and relationships, I adapted and went from sweet and innocent to sexy vixen with an edge. Now that I am in a happy and committed relationship, I have some valuable advice for all of those single girls out there. I wish I had this kind of wisdom when I was on the hunt for my Prince.
Naturally a finely appointed Gatsby estate demands an opulent chandelier, but don't worry: in real life, lighting is one area where quantity is almost more important than quality (or at least budget!). The true key to a Great lighting scheme is depth and layers, so including multiple flattering light sources will make you and your space ready for a close-up.
If you were around in the mid 1990's, it's likely the name BRE-X conjures up some frightening memories. It's a true rags to riches story that involves murder, international intrigue, arson, and exotic adventure. It's also a story about a fantastic investment fraud that left once rapt investors, both big and small in humiliating ruins.
Summer in Canada is short. For four months of the year, the majority of Canadians are heading to patios, beaches and national parks -- anywhere they can soak in the sunshine and try to forget about the frigid winter that just passed. To truly win over consumers we need to provide timely value and relevance with every touch point.
From Katniss Everdeen, to Bella Swan, to Hermione Granger, to Mia Thermopolis, it seems like just about every heroine needs some convincing to realize how beautiful they are. Because, of course, they are beautiful -- though often the character requires a makeover before she herself and the world around her (except, of course, for that One Special Boy Who Always Knew) realize her true beauty. The message that we get over and over is that beauty, even hidden beauty, is somehow part and parcel of being an exceptional, successful young woman.
I was troubled in season two of the usually stellar Mad Men, when Duck Phillips tossed his dog, Chauncey, out onto the mean streets of New York. We were given no resolution for the dog, but a recurring role for Duck (which included far more sex and work than he deserved after what he did to Chauncey).
Following the death of his father, Judd Foxman is forced to live out his father's last wish: For his entire dysfunctional family to spend one full week together in a house. While this seems easier said than done, it trudges up old feelings while digging out some secrets -- including the fact that Judd's wife has been having an affair.
Directed by Thomas Bertlesen, the film's intense 25-minute journey takes you from idealistic happily-ever-after to anxious, desperate climax. Despite all the space in the desert, the lovers are trapped in their own failed dreams. That is the most realistic part of this movie -- and a fitting end to Shakespeare's most famous tragedy.